Head to head
Cort Classic AC160CFTL vs Cort Cut Craft
The verdict
The Cort Cut Craft comes out ahead overall — 70 to 61 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Cort Classic AC160CFTL wins on
No standout advantage.
Cort Cut Craft wins on
- Better build (67 vs 58)
- Better playability (75 vs 64)
- Better sound (68 vs 60)
- Better value (70 vs 61)
Scorecard
| Metric | Classic AC160CFTL | Cut Craft |
|---|---|---|
| Overall | 61 | 70 |
| Build | 58 | 67 |
| Playability | 64 | 75 |
| Sound | 60 | 68 |
| Value | 61 | 70 |
Full specifications
| Spec | Classic AC160CFTL | Cut Craft |
|---|---|---|
| Brand | Cort | Cort |
| Type | Acoustic-Electric | Acoustic-Electric |
| Years | — | — |
| Country | — | — |
| Body wood | Macassar Ebony | Solid Myrtlewood |
| Neck wood | Mahogany | Walnut Reinforced Mahogany |
| Fretboard | Laurel | Ebony |
| Strings | 6 | 6 |
| Frets | 19 | 20 |
| Scale | 25.59" | 25" |
| Pickups | Fishman® Sonicore | L.R. Baggs® M80 |
| Rating | — | — |
| Price | — | — |
| Back Sides Material | Macassar Ebony | Solid Myrtlewood |
| Binding | Black | — |
| Body shape | Thinline Classical | NDX |
| Bracing Pattern | Traditional Fan Bracing | Hand Scalloped X-Bracing |
| Bridge Material | Laurel | Ebony |
| Case | N/A | Hardshell Case |
| Colors | Natural Gloss (NAT) | Natural Gloss (NAT) |
| Construction | Dovetail Neck Joint | Dovetail Neck Joint at 13Fret |
| Controls | Fishman® Presys II | L.R. Baggs® M80 |
| Cutaway Style | Venetian | Bevel |
| Head Shape | Cort Classic | — |
| Label | N/A | Paper Label |
| Neck Heel Shape | Triangle Heel Shape | Triangle Heel Shape |
| Neck profile | U Shape | Comfort C Shape |
| Neck Thickness | 1st Fret: 21.5mm / 8th Fret: 22.5mm | 1st Fret: 21.5mm / 8th Fret: 22.0mm |
| Nut Saddle | Urea Resin | — |
| Nut width | 2 1/16″ (52mm) | 1 3/4″ (44.5mm) |
| Pickguard | N/A | N/A |
| Rosette | Custom Designed Wooden | Cut Craft Custom Rosette |
| Scale length | 25.6″ (650mm) | 25.0″~25.5″ Multi Scale |
| Sound Hole | 90mm | — |
| Top Material | Spruce | Solid European Spruce |
| Truss rod | Dual Acting / 4mm Wrench | Dual Acting / 4mm Wrench |
| Tuners | Classical Style | Die-Cast |
| Back Strip Material | — | N/A |
| Bevel Cut | — | Armrest & Cutaway Bevel |
| Body Binding Material | — | Black ABS Bevel Armrest |
| Body Finish | — | Gloss |
| Body Purfling Material | — | Maple & Pau ferro |
| Bracing Material | — | Spruce |
| Bridge Pin Material | — | Bone |
| Bridge String Spacing | — | 54.1mm |
| Dual Sound Port Upper Side | — | 100mm |
| Endpiece Material | — | Black ABS |
| Fingerboard Binding Material | — | Black ABS |
| Fingerboard Inlay Material | — | N/A |
| Fingerboard Purfling Material | — | Maple & Pau ferro |
| Fretboard radius | — | 15.75″ (R400) |
| Fret Type | — | 2.4mm Width with Edge Treatment |
| Head Back Plate Material | — | Black ABS |
| Head Binding Material | — | Black ABS |
| Headplate Finish | — | Gloss |
| Headplate Inlay Material | — | Abalone & White Pearl |
| Headplate Logo Material | — | White Pearl |
| Headplate Logo Style | — | Gold Logo Style |
| Headplate Material | — | Black ABS |
| Head Purfling Material | — | Maple & Pau ferro |
| Headstock Shape | — | Gold Head Shape |
| Head Volute | — | Round Volute |
| Inlay | — | N/A |
| Neck Finish | — | Satin |
| Neck Heel Cap | — | Black ABS |
| Nut | — | Genuine Bone |
| Saddle | — | Genuine Bone |
| Side Position Mark | — | Dot |
| Special | — | Armrest & Cutaway Bevel Sonically Enhanced UV Finish |