Head to head
Cort L60MCE vs Cort Roselyn Redux
The verdict
The Cort L60MCE and Cort Roselyn Redux are closely matched overall — 68 to 69 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Cort L60MCE wins on
No standout advantage.
Cort Roselyn Redux wins on
No standout advantage.
Scorecard
| Metric | L60MCE | Roselyn Redux |
|---|---|---|
| Overall | 68 | 69 |
| Build | 63 | 67 |
| Playability | 72 | 72 |
| Sound | 68 | 68 |
| Value | 68 | 69 |
Full specifications
| Spec | L60MCE | Roselyn Redux |
|---|---|---|
| Brand | Cort | Cort |
| Type | Acoustic-Electric | Acoustic-Electric |
| Years | — | — |
| Country | — | — |
| Body wood | Mahogany | Solid Pau Ferro |
| Neck wood | Mahogany | 5pc Mahogany & Pau ferro |
| Fretboard | Laurel | Ebony |
| Strings | 6 | 6 |
| Frets | 20 | 20 |
| Scale | 25.51" | 25.51" |
| Pickups | Cort® CE304T | L.R. Baggs® Anthem |
| Rating | — | — |
| Price | — | — |
| Back Sides Material | Mahogany | Solid Pau Ferro |
| Binding | Black | — |
| Body shape | OM Cutaway | OM Cutaway |
| Bracing Pattern | Advanced X-Bracing | Hand Scalloped X-Bracing |
| Bridge Material | Laurel | Ebony |
| Bridge Pin Material | Black with White dot | Ebony |
| Case | N/A | Hardshell Case |
| Colors | Open Pore (OP) | Natural Gloss (NAT) |
| Construction | Dovetail Neck Joint | Dovetail Neck Joint at 14Fret |
| Controls | Cort® CE304T | L.R. Baggs® Anthem |
| Cutaway Style | Venetian | Venetian |
| Fretboard radius | 15.75” (R400) | 15.75″ (R400) |
| Head Shape | Cort Basic | — |
| Inlay | 6mm White Dot | Custom Floral White Pearl |
| Label | N/A | Wooden Label |
| Neck Heel Shape | Triangle Heel Shape | Round Heel Shape |
| Neck profile | C Shape | Comfort C Shape |
| Neck Thickness | 1st Fret: 21.0mm / 7th Fret: 22.5mm | 1st Fret: 21.5mm / 8th Fret: 22.0mm |
| Nut Saddle | PPS | — |
| Nut width | 1 11/16″ (43mm) | 1 3/4″ (44.5mm) |
| Pickguard | N/A | N/A |
| Rosette | ABS | Roselyn Custom Rosette |
| Scale length | 25.5″ (648mm) | 25.5″ (648mm) |
| Sound Hole | 95mm | — |
| Top Material | Solid Mahogany | Solid European Spruce |
| Truss rod | Dual Acting / 4mm Wrench | Dual Acting / 4mm Wrench |
| Tuners | Die-Cast | Gotoh® SGL510-L5 Gold |
| Back Strip Material | — | Maple, Black ABS |
| Bevel Cut | — | N/A |
| Body Binding Material | — | Paudak |
| Body Finish | — | Gloss |
| Body Purfling Material | — | Maple, Black ABS |
| Bracing Material | — | Spruce |
| Bridge String Spacing | — | 54.1mm |
| Endpiece Material | — | Maple, Black ABS |
| Fingerboard Binding Material | — | Paudak |
| Fingerboard Inlay Material | — | Mother-of-Pearl |
| Fingerboard Purfling Material | — | N/A |
| Fret Type | — | 2.4mm Width with Edge Treatment |
| Head Back Plate Material | — | Black ABS |
| Head Binding Material | — | Paudak |
| Headplate Finish | — | Gloss |
| Headplate Inlay Material | — | N/A |
| Headplate Logo Material | — | Maple |
| Headplate Logo Style | — | Gold Logo Style |
| Headplate Material | — | Ebony |
| Head Purfling Material | — | Maple, Black ABS |
| Headstock Shape | — | Cort Head Shape |
| Head Volute | — | Round Volute |
| Neck Finish | — | Satin |
| Neck Heel Cap | — | Paudak |
| Nut | — | Graph Tech® TUSQ |
| Saddle | — | Graph Tech® TUSQ |
| Side Position Mark | — | Dot |
| Sound Port Hole | — | Side Sound Port |
| Special | — | Side Sound Port |