Head to head
Cort Roselyn Redux vs Yamaha TransAcoustic Guitars with Reverb & Chorus
The verdict
The Yamaha TransAcoustic Guitars with Reverb & Chorus comes out ahead overall — 77 to 69 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Cort Roselyn Redux wins on
No standout advantage.
Yamaha TransAcoustic Guitars with Reverb & Chorus wins on
- Better build (89 vs 67)
- Better value (76 vs 69)
Scorecard
| Metric | Roselyn Redux | TransAcoustic Guitars with Reverb & Chorus |
|---|---|---|
| Overall | 69 | 77 |
| Build | 67 | 89 |
| Playability | 72 | 72 |
| Sound | 68 | 68 |
| Value | 69 | 76 |
Full specifications
| Spec | Roselyn Redux | TransAcoustic Guitars with Reverb & Chorus |
|---|---|---|
| Brand | Cort | Yamaha |
| Type | Acoustic-Electric | Acoustic-Electric |
| Years | — | — |
| Country | — | JP |
| Body wood | Solid Pau Ferro | Solid Rosewood |
| Neck wood | 5pc Mahogany & Pau ferro | Mahogany + Rosewood 5-ply |
| Fretboard | Ebony | Ebony |
| Strings | 6 | 6 |
| Frets | 20 | — |
| Scale | 25.51" | 25.59" |
| Pickups | L.R. Baggs® Anthem | SYSTEM70 TransAcoustic + SRT Piezo Pickup |
| Rating | — | — |
| Price | — | — |
| Back Sides Material | Solid Pau Ferro | — |
| Back Strip Material | Maple, Black ABS | — |
| Bevel Cut | N/A | — |
| Body Binding Material | Paudak | — |
| Body Finish | Gloss | Gloss |
| Body Purfling Material | Maple, Black ABS | — |
| Body shape | OM Cutaway | Round-Shoulder Dreadnought Style |
| Bracing Material | Spruce | — |
| Bracing Pattern | Hand Scalloped X-Bracing | — |
| Bridge Material | Ebony | Ebony |
| Bridge Pin Material | Ebony | — |
| Bridge String Spacing | 54.1mm | — |
| Case | Hardshell Case | Hard Bag |
| Colors | Natural Gloss (NAT) | — |
| Construction | Dovetail Neck Joint at 14Fret | — |
| Controls | L.R. Baggs® Anthem | SYSTEM70 TransAcoustic + SRT Piezo Pickup |
| Cutaway Style | Venetian | — |
| Endpiece Material | Maple, Black ABS | — |
| Fingerboard Binding Material | Paudak | — |
| Fingerboard Inlay Material | Mother-of-Pearl | — |
| Fingerboard Purfling Material | N/A | — |
| Fretboard radius | 15.75″ (R400) | 15 3/4 " (R400 mm) |
| Fret Type | 2.4mm Width with Edge Treatment | — |
| Head Back Plate Material | Black ABS | — |
| Head Binding Material | Paudak | — |
| Headplate Finish | Gloss | — |
| Headplate Inlay Material | N/A | — |
| Headplate Logo Material | Maple | — |
| Headplate Logo Style | Gold Logo Style | — |
| Headplate Material | Ebony | — |
| Head Purfling Material | Maple, Black ABS | — |
| Headstock Shape | Cort Head Shape | — |
| Head Volute | Round Volute | — |
| Inlay | Custom Floral White Pearl | — |
| Label | Wooden Label | — |
| Neck Finish | Satin | Matte |
| Neck Heel Cap | Paudak | — |
| Neck Heel Shape | Round Heel Shape | — |
| Neck profile | Comfort C Shape | — |
| Neck Thickness | 1st Fret: 21.5mm / 8th Fret: 22.0mm | — |
| Nut | Graph Tech® TUSQ | Urea |
| Nut width | 1 3/4″ (44.5mm) | 1 3/4 " (44 mm) |
| Pickguard | N/A | Transparent |
| Rosette | Roselyn Custom Rosette | — |
| Saddle | Graph Tech® TUSQ | — |
| Scale length | 25.5″ (648mm) | 25 9/16 " (650 mm) |
| Side Position Mark | Dot | — |
| Sound Port Hole | Side Sound Port | — |
| Special | Side Sound Port | — |
| Top Material | Solid European Spruce | Solid Engelmann Spruce A.R.E. |
| Truss rod | Dual Acting / 4mm Wrench | — |
| Tuners | Gotoh® SGL510-L5 Gold | Die-Cast Gold |
| Accessories | — | Hex Wrench |
| Back Material | — | Solid Rosewood |
| Body Binding | — | Maple + Black |
| Body Depth | — | 3 15/16 " - 4 15/16 " (100-125 mm) |
| Body Length | — | 20 3/16 " (513 mm) |
| Body Width | — | 16 5/16 " (415 mm) |
| Bridge Pins | — | Black ABS with White Dot |
| Connections | — | LINE OUT |
| Saddle Material | — | Urea |
| Side Material | — | Solid Rosewood |
| Sound Hole Inlay | — | Abalone + Black + White |
| String Spacing | — | 0.43 " (11 mm) |
| Total Length | — | 41 3/16 " (1046 mm) |