Head to head
Cort Sol Encanto vs Taylor 217e-BLK Plus
The verdict
The Cort Sol Encanto comes out ahead overall — 66 to 61 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Cort Sol Encanto wins on
- Better build (67 vs 61)
- Better sound (68 vs 60)
- Better value (66 vs 59)
Taylor 217e-BLK Plus wins on
No standout advantage.
Scorecard
| Metric | Sol Encanto | 217e-BLK Plus |
|---|---|---|
| Overall | 66 | 61 |
| Build | 67 | 61 |
| Playability | 64 | 64 |
| Sound | 68 | 60 |
| Value | 66 | 59 |
Full specifications
| Spec | Sol Encanto | 217e-BLK Plus |
|---|---|---|
| Brand | Cort | Taylor |
| Type | Acoustic-Electric | Acoustic-Electric |
| Years | — | — |
| Country | — | — |
| Body wood | Solid Mahogany | Big Leaf Maple |
| Neck wood | Mahogany | Hard Rock Maple |
| Fretboard | Macassar Ebony | West African Crelicam Ebony |
| Strings | 6 | 6 |
| Frets | 19 | — |
| Scale | 25.59" | 25.5" |
| Pickups | Fishman® Flex Blend | Expression System® 2 |
| Rating | — | — |
| Price | — | $1,499 |
| Back Sides Material | Solid Mahogany | — |
| Back Strip Material | Wooden Check Pattern | — |
| Bevel Cut | N/A | — |
| Body Binding | Wooden Check Pattern | White |
| Body Finish | Gloss | — |
| Body Purfling Material | Black & Aged White ABS | — |
| Body shape | Classical Cutaway | Grand Pacific |
| Bracing Material | Spruce | — |
| Bracing Pattern | Fanbracing | — |
| Bridge Material | Macassar Ebony | — |
| Bridge Pin Material | N/A | — |
| Bridge String Spacing | 60mm | — |
| Case | Cort Premium Gigbag | — |
| Colors | White Blonde Gloss (WBL) | — |
| Construction | Dovetail Neck Joint at 12 Fret | — |
| Controls | Fishman® Flex Blend | Expression System® 2 |
| Cutaway Style | Venetian | — |
| Endpiece Material | Wooden Check Pattern | — |
| Fingerboard Binding Material | Black ABS | — |
| Fingerboard Inlay Material | Mother-of-Pearl | — |
| Fingerboard Purfling Material | White ABS | — |
| Fret Type | 2.4mm Width | — |
| Head Back Plate Material | N/A | — |
| Head Binding Material | Black ABS | — |
| Headplate Finish | Gloss | — |
| Headplate Inlay Material | N/A | — |
| Headplate Logo Material | N/A | — |
| Headplate Logo Style | N/A | — |
| Headplate Material | Black ABS | — |
| Head Purfling Material | White ABS | — |
| Headstock Shape | Cort Classical Head Shape | — |
| Head Volute | N/A | — |
| Inlay | Cort logo Inlay | — |
| Label | Paper Label | — |
| Neck Finish | Satin | Gloss |
| Neck Heel Cap | Walnut | — |
| Neck Heel Shape | Triangle Heel Shape | — |
| Neck profile | Classical U Shape | Standard Carve |
| Neck Thickness | 1st Fret: 21.5mm / 9th Fret: 22.5mm | — |
| Nut | Genuine Bone | — |
| Nut width | 1 7/8″ (48mm) | 1-11/16" |
| Pickguard | N/A | Black |
| Rosette | Custom Rosette | Faux Pearl Single Ring |
| Saddle | Genuine Bone | — |
| Scale length | 25.6″ (650mm) | 25-1/2" |
| Side Position Mark | Dot | — |
| Sound Port Hole | 90mm | — |
| Special | Side Sound Port Sonically Enhanced UV Finish | — |
| Top Material | Solid Engelmann Spruce | — |
| Truss rod | Dual Acting / 4mm Wrench | — |
| Tuners | Classical Style with Black Knob | Taylor Satin Black with Satin Black Buttons |
| Armrest | — | None |
| Back And Sides | — | Big Leaf Maple |
| Back Configuration | — | Layered, 2-Piece |
| Back Side Finish | — | Gloss |
| Bracing System | — | C-Class Bracing |
| Bridge | — | West African Crelicam Ebony |
| Bridge Pins | — | Black ABS Plastic |
| End Pin | — | Black |
| Finish | — | Black |
| Fretboard Binding | — | None |
| Fretboard inlay | — | Faux Pearl 4mm Dots |
| Nut Saddle | — | White NuBone Nut, White Micarta Saddle |
| Orientation | — | Right Handed |
| Peghead Binding | — | None |
| Peghead Finish | — | Gloss |
| Peghead Inlay | — | None |
| Peghead Type | — | Paddle |
| Peghead Veneer Wood | — | West African Crelicam Ebony |
| Strap Pin | — | Black |
| Top Finish | — | Gloss |
| Top wood | — | Torrefied Spruce |