Head to head
Epiphone J-200 Studio EC, Black vs Epiphone Slash J-45, Vermillion Burst
The verdict
The Epiphone Slash J-45, Vermillion Burst comes out ahead overall — 72 to 69 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Epiphone J-200 Studio EC, Black wins on
- Lower price ($549 vs $799)
Epiphone Slash J-45, Vermillion Burst wins on
No standout advantage.
Scorecard
| Metric | J-200 Studio EC, Black | Slash J-45, Vermillion Burst |
|---|---|---|
| Overall | 69 | 72 |
| Build | 66 | 70 |
| Playability | 72 | 75 |
| Sound | 68 | 68 |
| Value | 73 | 75 |
Full specifications
| Spec | J-200 Studio EC, Black | Slash J-45, Vermillion Burst |
|---|---|---|
| Brand | Epiphone | Epiphone |
| Type | Acoustic | Acoustic |
| Years | — | — |
| Country | — | — |
| Body wood | Select Maple | Mahogany |
| Neck wood | Hard Maple | Mahogany |
| Fretboard | Pau Ferro | Laurel |
| Strings | 6 | 6 |
| Frets | 20 | 20 |
| Scale | 25.5" | 24.75" |
| Pickups | Fishman Sonicore | LR Baggs VTC |
| Rating | — | — |
| Price | $549 | $799 |
| Back | Select Maple | Solid Mahogany |
| Binding | Headstock = 1-layer | 4-ply Top, Single-ply Back |
| Body Finish | Gloss | Gloss |
| Body shape | J-200 | J-45 |
| Body Styles | Super Jumbo | Round Shoulder |
| Bridge | Pau Ferro; Classic Moustache shape | Laurel, Reverse Belly |
| Controls | Fishman® Presys™ with Volume control, Phase and Contour switches, and a built-in tuner with LED display | Soundhole mounted Volume and Tone |
| Finish | Gold | Nickel |
| Fretboard inlay | Pearloid Crown inlays | Mother of Pearl Dots |
| Fretboard radius | 304.8mm / 12.0in | 406.4mm / 16.0in |
| Fret Count | 20 | 20 |
| Headstock | 60s Kalamazoo | 60s Kalamazoo |
| Headstock Inlay | Modern Epiphone script logo in Mother of Pearl, Gibson™ Crown inlay in Mother of Pearl | Epiphone logo in Mother of Pearl |
| Joint | Glued-In, Set Neck | Tapered Dovetail; Glued-In |
| Model | EEJ2BKGH1 | EISLASHJ45VMNH3 |
| Nut | PVC | Graph Tech TUSQ |
| Nut width | 42.67mm / 1.68in | 43.0mm / 1.69in |
| Output Jack | 1/4" | 1/4" Endpin Jack |
| Pickguard | Imitation Tortoise with Iconic J-200™ Graphics | Tortoise Shell, 50s J-45 Shape |
| Preamp | Fishman Presys | LR Baggs VTC |
| Profile | 60s SlimTaper D | Slash Custom C-Shape |
| Scale length | 647.7mm / 25.5in | 628.65mm / 24.75in |
| String gauges | .012 .016 .024 .032 .042 .053 | .012 .016 .024 .032 .042 .053 |
| Top wood | Solid Spruce | Solid Sitka Spruce |
| Truss rod | 2-way; Adjustable | Dual Action |
| Truss Rod Cover | 2-Layer; (B/W); With EJ in Silkprint | 2-ply Bell with Slash Signature |
| Tuners | Grover® Rotomatic®; 18:1 ratio | Grover Rotomatic |
| Under Saddle Pickup | Fishman Sonicore | LR Baggs VTC |
| Bridge Pins | — | Ivory |
| Case | — | Hardshell Case with Slash Skully Logo Included |
| Saddle Material | — | Graph Tech TUSQ |
| Side | — | Solid Mahogany |
| Strap Buttons | — | 2 - Side of Heel and Endpin Jack |
| Tuner Plating | — | Nickel |