Head to head
Epiphone J-200 Studio EC, Vintage Sunburst vs Gibson 1960 Hummingbird Reissue, Heavy Aged, Washed Cherry Sunburst
Acoustic$7,699
No ratings yet74Overall / 100
The verdict
The Gibson 1960 Hummingbird Reissue, Heavy Aged, Washed Cherry Sunburst comes out ahead overall — 74 to 69 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Epiphone J-200 Studio EC, Vintage Sunburst wins on
- Better sound (68 vs 60)
- Better value (73 vs 63)
- Lower price ($549 vs $7,699)
Gibson 1960 Hummingbird Reissue, Heavy Aged, Washed Cherry Sunburst wins on
- Better build (91 vs 66)
Scorecard
| Metric | J-200 Studio EC, Vintage Sunburst | 1960 Hummingbird Reissue, Heavy Aged, Washed Cherry Sunburst |
|---|---|---|
| Overall | 69 | 74 |
| Build | 66 | 91 |
| Playability | 72 | 75 |
| Sound | 68 | 60 |
| Value | 73 | 63 |
Full specifications
| Spec | J-200 Studio EC, Vintage Sunburst | 1960 Hummingbird Reissue, Heavy Aged, Washed Cherry Sunburst |
|---|---|---|
| Brand | Epiphone | Gibson |
| Type | Acoustic | Acoustic |
| Years | — | — |
| Country | — | US |
| Body wood | Select Maple | Mahogany |
| Neck wood | Hard Maple | Mahogany |
| Fretboard | Pau Ferro | Indian Rosewood |
| Strings | 6 | 6 |
| Frets | 20 | 20 |
| Scale | 25.5" | 24.75" |
| Pickups | Fishman Sonicore | — |
| Rating | — | — |
| Price | $549 | $7,699 |
| Back | Select Maple | Mahogany |
| Binding | Headstock = 1-layer | Multi-ply Top and Back, Single-ply Fretboard |
| Body Finish | Gloss | Murphy Lab Aged Nitrocellulose Lacquer |
| Body shape | J-200 | Hummingbird |
| Body Styles | Super Jumbo | Square Shoulder |
| Bridge | Pau Ferro; Classic Moustache shape | Rosewood; Traditional Belly-up |
| Bridge Pins | Ivory with Black Dot | Bone |
| Case | Standard Gig Bag | Black Hardshell with Goldenrod Interior |
| Controls | Fishman® Presys™ with Volume control, Phase and Contour switches, and a built-in tuner with LED display | — |
| Finish | Gold | Gold, Murphy Lab Aged |
| Fretboard inlay | Pearloid Crown inlays | Mother of Pearl Parallelogram |
| Fretboard radius | 304.8mm / 12.0in | 304.8mm / 12.0in |
| Fret Count | 20 | 20 |
| Headstock | 60s Kalamazoo | — |
| Headstock Inlay | Modern Epiphone script logo in Mother of Pearl, Gibson™ Crown inlay in Mother of Pearl | Gibson Logo and Crown in Mother of Pearl |
| Joint | Glued-In, Set Neck | Compound Dovetail Neck-to-body Joint, Hot Hide Glue |
| Model | EEJ2VSGH1 | CSSSHBHCSHA |
| Nut | PVC | Bone |
| Nut width | 42.67mm / 1.68in | 43.82mm / 1.73in |
| Output Jack | 1/4" | — |
| Pickguard | Imitation Tortoise with Iconic J-200™ Graphics | Casted Hummingbird |
| Preamp | Fishman Presys | — |
| Profile | 60s SlimTaper D | Rounded |
| Saddle Material | Imitation Bone | Bone |
| Scale length | 647.7mm / 25.5in | 628.65mm / 24.75in |
| Side | Layered Maple | Mahogany |
| Strap Buttons | 2 - Bottom and Side of Heel | Cream End Pin |
| String gauges | .012 .016 .024 .032 .042 .053 | .012, .016, .024, .032, .042, .053 |
| Top wood | Solid Spruce | Thermally Aged Sitka Spruce |
| Truss rod | 2-way; Adjustable | Adjustable |
| Truss Rod Cover | 2-Layer; (B/W); With EJ in Silkprint | 2-ply Bell; Black |
| Tuner Plating | Nickel | Gold |
| Tuners | Grover® Rotomatic®; 18:1 ratio | Gotoh with Keystone Button |
| Under Saddle Pickup | Fishman Sonicore | — |
| Accessories | — | Certificate of Authenticity |
| Bracing | — | Traditional Hand Scalloped X-bracing |