Head to head
Epiphone J-200 Studio, Natural vs Epiphone J-45 EC, Aged Vintage Sunburst Gloss
The verdict
The Epiphone J-45 EC, Aged Vintage Sunburst Gloss comes out ahead overall — 72 to 69 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Epiphone J-200 Studio, Natural wins on
- Lower price ($549 vs $799)
Epiphone J-45 EC, Aged Vintage Sunburst Gloss wins on
No standout advantage.
Scorecard
| Metric | J-200 Studio, Natural | J-45 EC, Aged Vintage Sunburst Gloss |
|---|---|---|
| Overall | 69 | 72 |
| Build | 66 | 70 |
| Playability | 72 | 75 |
| Sound | 68 | 68 |
| Value | 73 | 75 |
Full specifications
| Spec | J-200 Studio, Natural | J-45 EC, Aged Vintage Sunburst Gloss |
|---|---|---|
| Brand | Epiphone | Epiphone |
| Type | Acoustic | Acoustic |
| Years | — | — |
| Country | — | — |
| Body wood | Layered Maple | Mahogany |
| Neck wood | Mahogany | Mahogany |
| Fretboard | Rosewood | Laurel |
| Strings | 6 | 6 |
| Frets | 20 | 20 |
| Scale | 25.5" | 24.72" |
| Pickups | Fishman S-Core | Fishman Sonicore |
| Rating | — | — |
| Price | $549 | $799 |
| Back | Layered Maple | Solid Mahogany |
| Binding | 4-ply Top, Single-ply Back, Fretboard, and Headstock | Top - 4-ply Ivory and Black; Back - 1-ply Ivory |
| Body Finish | Gloss | Aged Gloss |
| Body shape | J-200 | J-45 |
| Body Styles | Jumbo | Round Shoulder |
| Bridge | J-200 Moustache with Pearloid Inlays | Reverse Belly, Laurel |
| Bridge Pins | Ivory with Black Dot | Ivory |
| Case | Standard Gig Bag | Optional |
| Controls | Soundhole-mounted Volume and Tone | Fishman Presys II with Volume, Bass and Treble controls, Phase Switch, and a built-in tuner with LED display |
| Finish | Nickel | Nickel |
| Fretboard inlay | Pearloid Graduated Crown | Mother of Pearl Dots |
| Fretboard radius | 304.8mm / 12.0in | 305.0mm / 12.01in |
| Fret Count | 20 | 20 |
| Headstock | 60s Kalamazoo | 60s Kalamazoo with Silkscreen Epiphone Modern Script Logo in Gold |
| Headstock Inlay | Epiphone Logo and Gibson Crown in Mother of Pearl | — |
| Joint | Glued In, Set Neck with Tapered Dovetail Joint | Tapered Dovetail |
| Model | EASJ2ANNH1 | IGMTJ45CAVSNH1 |
| Nut | Plastic | Bone |
| Nut width | 43.0mm / 1.69in | 43.0mm / 1.69in |
| Output Jack | 1/4" Endpin | End pin Jack |
| Pickguard | Imitation Tortoise, Epoxy-style, with 2-color J-200 Graphics | Tortoise Shell Tear Drop, Epoxy Style |
| Preamp | Fishman Presys VT | Fishman Presys II |
| Profile | 1960s SlimTaper™ D-shape | Rounded C |
| Saddle Material | Plastic; Compensated | Bone |
| Scale length | 647.7mm / 25.5in | 628.0mm / 24.72in |
| Side | Layered Maple | Solid Mahogany |
| Strap Buttons | Endpin Jack and Side of Heel | 2 - end pin jack and back of heel |
| String gauges | .012, .016, .024, .032, .042, .053 | Gibson Phosphor Bronze Acoustic Strings .012, .016, .024w, .032, .042, .053 |
| Top wood | Solid Spruce | Solid Sitka Spruce |
| Truss rod | Dual Action | Dual Action |
| Truss Rod Cover | 2-ply Black Bell, Studio | 2-ply Bell |
| Tuner Plating | Nickel | Nickel |
| Tuners | Epiphone Deluxe with Keystone Button | 3 on a plate: Ivory buttons, press in bushings |
| Under Saddle Pickup | Fishman S-Core | Fishman Sonicore |
| Bracing | — | Quarter Sawn Spruce |