Head to head
Epiphone J-200 Studio Parlor EC, Vintage Natural vs Harley Benton CLC-650SM-CE VS Solid Wood
The verdict
The Epiphone J-200 Studio Parlor EC, Vintage Natural comes out ahead overall — 72 to 68 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Epiphone J-200 Studio Parlor EC, Vintage Natural wins on
- Better build (70 vs 63)
Harley Benton CLC-650SM-CE VS Solid Wood wins on
- Lower price ($359 vs $549)
Scorecard
| Metric | J-200 Studio Parlor EC, Vintage Natural | CLC-650SM-CE VS Solid Wood |
|---|---|---|
| Overall | 72 | 68 |
| Build | 70 | 63 |
| Playability | 75 | 72 |
| Sound | 68 | 68 |
| Value | 75 | 72 |
Full specifications
| Spec | J-200 Studio Parlor EC, Vintage Natural | CLC-650SM-CE VS Solid Wood |
|---|---|---|
| Brand | Epiphone | Harley Benton |
| Type | Acoustic | Acoustic |
| Years | — | — |
| Country | — | — |
| Body wood | Ovangkol | Selected solid African A-grade mahogany with armrest |
| Neck wood | Hard Maple with Walnut Center Stringer | Okoume |
| Fretboard | Pau Ferro | HPL |
| Strings | 6 | 6 |
| Frets | 20 | — |
| Scale | 24.75" | 25.71" |
| Pickups | Fishman® Sonicore™ | — |
| Rating | — | — |
| Price | $549 | $359 |
| Accessories | 9-volt alkaline or lithium battery included | — |
| Binding | Top: White, B/W/B/W/B Back:1-layer; White | — |
| Body shape | J-200 | — |
| Body Styles | Small Body | — |
| Bridge | Pau Ferro | — |
| Case | Optional EJ-200SCE Coupe Hard Case 940-MJCS | — |
| Controls | Fishman® Presys™ II with Volume, Bass and Treble controls, a Phase switch, and a built-in tuner with LED display | — |
| Finish | Nickel-Gold | — |
| Fretboard inlay | Dot inlays with a Crown on 12th fret | 6 mm mother-of-pearl dots |
| Fretboard radius | 304.8mm / 12.0in | 400 mm |
| Fret Count | 20 | — |
| Headstock | Epiphone Sloped Dovewing | — |
| Joint | Dovetail; Glued-in | — |
| Model | EEJPVNGH3 | — |
| Nut | Bone | — |
| Nut width | 42.93mm / 1.69in | 43 mm |
| Output Jack | 1/4" | — |
| Pickguard | Imitation Tortoise | — |
| Profile | Rounded | — |
| Saddle Material | Compensated Bone | — |
| Scale length | 628.65mm / 24.75in | 653 mm |
| String gauges | Gibson™ Coated Phosphor Bronze Acoustic Guitar Strings 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 | — |
| Top wood | Solid Spruce | Selected solid African A-grade mahogany |
| Truss rod | 2-way Adjustable | — |
| Truss Rod Cover | Bell 2-ply; (B/W); with EJ-200 Coupe in Silkprint | — |
| Tuner Plating | Gold | — |
| Tuners | Grover® Mini Rotomatic®; 18:1 ratio | — |
| Under Saddle Pickup | Fishman® Sonicore™ | — |
| Bridge Basis | — | HPL |
| Colour Of Body | — | Natural |
| Construction | — | Grand Concert Style with Venetian Cutaway |
| Neck profile | — | C |
| Nut And Bridge Saddle | — | Bone |
| Suitable Case | — | Art. #122212# (not included) |
| Top Colour | — | Ultra high-gloss Vintage Sunburst |
More J-200 Studio Parlor EC, Vintage Natural comparisons
- J-200 Studio Parlor EC, Vintage Natural vs J-45 50s Original, Vintage Sunburst
- J-200 Studio Parlor EC, Vintage Natural vs SJ-200 Standard, Tri Burst
- J-200 Studio Parlor EC, Vintage Natural vs 1960 Hummingbird Reissue, Heavy Aged, Washed Cherry Sunburst
- J-200 Studio Parlor EC, Vintage Natural vs J-45 EC Studio, Vintage Sunburst

