Head to head
Gibson 1955 NAMM Show Commemorative Edition Les Paul, Samoa Beige vs Harley Benton ST-70 RW
Electric$6,499
No ratings yet77Overall / 100
The verdict
The Gibson 1955 NAMM Show Commemorative Edition Les Paul, Samoa Beige comes out ahead overall — 77 to 65 on our estimated score.
Estimated from specs & owner reviews — a starting point, not a substitute for playing both.
Gibson 1955 NAMM Show Commemorative Edition Les Paul, Samoa Beige wins on
- Better build (87 vs 58)
- Better sound (74 vs 60)
Harley Benton ST-70 RW wins on
- Better value (75 vs 67)
- Lower price ($195 vs $6,499)
Scorecard
| Metric | 1955 NAMM Show Commemorative Edition Les Paul, Samoa Beige | ST-70 RW |
|---|---|---|
| Overall | 77 | 65 |
| Build | 87 | 58 |
| Playability | 75 | 72 |
| Sound | 74 | 60 |
| Value | 67 | 75 |
Full specifications
| Spec | 1955 NAMM Show Commemorative Edition Les Paul, Samoa Beige | ST-70 RW |
|---|---|---|
| Brand | Gibson | Harley Benton |
| Type | Electric | Electric |
| Years | — | — |
| Country | US | — |
| Body wood | One Piece Lightweight Mahogany | Basswood |
| Neck wood | Solid Mahogany | Maple |
| Fretboard | Indian Rosewood | Amaranth |
| Strings | 6 | 6 |
| Frets | 22 | — |
| Scale | 24.75" | 25.51" |
| Pickups | Custom Shop P-90 Soapbar / Custom Shop P-90 Soapbar | 3 Roswell STA Alnico-5 Vintage ST-Style Single Coils |
| Rating | — | — |
| Price | $6,499 | $195 |
| Binding | One-ply Cream Royalite, Top and Fretboard | — |
| Body Finish | Murphy Lab Aged Nitrocellulose Lacquer | — |
| Body shape | Les Paul | — |
| Body Styles | Les Paul | — |
| Bridge | No-Wire ABR-1 | — |
| Bridge pickup | Custom Shop P-90 Soapbar | — |
| Case | Brown/Pink Lifton Reissue 5-Latch | — |
| Control Covers | Brown | — |
| Control Knobs | Speed, Color-matched to Body | — |
| Controls | 2 Volume, 2 Tone; CTS 500K Audio Taper Potentiometers, Paper-in-Oil Capacitors | — |
| End Of Board Width | 56.89mm / 2.24in | — |
| Finish | Nickel; Murphy Lab Light Aged | Natural High Gloss |
| Fretboard inlay | Aged Cellulose Nitrate Trapezoid | — |
| Fretboard radius | 304.8mm / 12.0in | 305 mm |
| Fret Count | 22 | — |
| Headstock | Les Paul Reissue Holly, Low Logo | — |
| Headstock Inlay | Gibson Logo in Mother of Pearl, Les Paul Model Gold Silkscreen | — |
| Jack Plate Cover | Cream, True Historic Laminated Cellulose Acetate Butyrate | — |
| Joint | Long Tenon, Hide Glue Fit | — |
| Model | LPR55PSL22551 | — |
| Neck pickup | Custom Shop P-90 Soapbar | — |
| Nut | Nylon | — |
| Nut width | 42.85mm / 1.69in | 42 mm |
| Output Jack | 1/4" Switchcraft | — |
| Pickguard | Cream, Laminated Cellulose Acetate Butyrate | — |
| Pickup Covers | Cream Soapbar | — |
| Pickup Selector | 3-way Switchcraft | — |
| Profile | 1950s Chunky D-Shape | — |
| Saddle Material | Nickel-plated Brass | — |
| Scale length | 628.65mm / 24.75in | 648 mm |
| Strap Buttons | 2, Aluminum Historic - Bottom and Upper Bout | — |
| String gauges | .010, .013, .017, .026, .036, .046 | — |
| Switch Tip | Amber Catalin | — |
| Switchwasher | Cream, True Historic Silkscreened Cellulose Acetate Butyrate | — |
| Tailpiece | Lightweight Aluminum Stop Bar | — |
| Top wood | 2-Piece Plain Maple, Hide Glue Fit | Imitation rosewood veneer |
| Truss rod | Authentic 1950s No-Tube | — |
| Truss Rod Cover | Authentic Stepped 2-Ply | — |
| Tuner Plating | Nickel; Murphy Lab Light Aged | — |
| Tuners | Kluson Single Line, Single Ring | — |
| Weight Relief | None | — |
| Ex Factory Stringing | — | D'Addario .010 - .046 (Article no. #104555#) |
| Neck profile | — | C |
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